(post number 5.)
Having argued that Leonardo Da Vinci was involved in advancing the Masonic crime conspiracy, some may have guessed where in history, would be the next stop, almost.
Records show that on the 26th of February 1564 one Christopher Marlowe was baptized in England. By the time of his death at the age of twenty-nine he had established himself as one of the great writers of the English language, largely writing in the dramatic form; works such as Tamburlaine the Great and Faustus. He was killed in a bar fight or attack, allegedly as a result of a dispute over the bill to be paid. In the following years another writer rose to prominence, William Shakespeare. Not a lot of detail is known about the life of William Shakespeare, but at least one of the paintings believed to be of him shows him wearing a gold ear-ring, which is a sign of bonding to the Masons. Having made that link, one can then look at the Shakespeare plays to see if they have conformed in some way to the Masonic agenda of profiting from war and from crime related power.
In King Lear, Lear intends to confer a benefit on each of his daughters and is punished for this, as it reveals to the other characters, a weakness in him. The author seems to be instructing the audience on an aspect of politics. King Lear is not a historical play but is complete fiction. The author makes up the circumstances and has the other characters respond. If the author has a lot of prestige, the play may be seen as an accurate reflection of human nature. The response of reviewers to the play can also influence the response of the audience. The message of this play seems to be that leaders should act in a more aggressive, self-interested manner. King Lear winds up at some point, out in a heavy storm; the water imagery appears again, something like the "torrential rain" in Sun Tzu's book.
In Shakespeare's Macbeth, a commander in the army is delivered a prophecy, or foretelling, by three "witches", setting him on a path that has him kill his king to seize the crown. He is then judged to be a tyrant by his people and a battle is fought to overthrow him.
Although Macbeth is a figure from history, there has been no effort to follow the historical records. In the play, Macbeth's wife, Lady Macbeth, may have been inspired by the young woman "Bright Moon"who Marco Polo wrote about in part of the final chapter of his book, and who had amazing strength. In the play she encourages Macbeth to commit the murder of the king. The witches may also have something (qualities) of Bright Moon in them, and perhaps something also of the political aid to Kublai Khan who tried to manipulate things from his deputy level position.
Having set Macbeth on his path with the foretelling, towards the end of the play they deceive him (it is fairly clear), telling him he will not be defeated by one "of woman born". Deception being a practice that is discussed by Sun Tzu in his book.
Romeo and Juliet is another Shakespeare play not based on historical characters with those names. This play is set in the town of Verona not far from Venice. Two young people who are in love are separated by a feud that is going on between their families. Honour related to reputation is a strong force, with the male characters wanting to defend especially their own reputations and those of the females in the clan.
The story has a starting point that is similar to that of the biblical story of Samson and Delilah. But in Romeo and Juliet, flowery language is used to describe the tensions created by the competition for females. And the ending is different. In Shakespeare's play, the two clans see the damage done by their feud and decide to bring it to an end. This appears to be an ending that delivers an uplifting message about the need to resolve conflicts. But what we know about the Masons and later events in Sicily suggest something else.The message in this play may be that the secret of the Masonic blood initiation ritual and the sexual practices behind it can be protected by an exaggerated emphasis on the honour of women; those in the Masonic sphere and those in the wider society, so the distinction cannot easily be made , thus providing the Masons with operational cover.
It seems likely (to me) that the reference to the sun and the moon in the coded dialogue used in Sicily to establish if another was a member of the mafia, was a reference to words used in the balcony scene of this Shakespeare play. The ending of the play, then, may describe the joining of two gangs into one (larger) gang.
That Sicily adopted a sense of honour similar to that in Romeo and Juliet, more so than places like Verona where the play is set, can perhaps be found in a historical event. That being the event known as the Sicilian Vespers.